Ethel Bailey’s early 20th-century postcard collection
In the 21st-century, the text has superseded the picture postcard as the smartest way to send a holiday ‘hello’. Instagram is how to dazzle friends with an image from your travels. In truth, the postcard was already in advanced decline. For years it was a lame gesture limping slowly and unreliably to its destination, a bland ‘wish you were here’ scrawled hurriedly on to a cliched image. But what a glorious history it has! At the start of the 20th century, when seaside resorts were fresh and packed with innovative amusements, and trains and steamships whisked Brits to destinations that would previously have taken days or even weeks to reach, the postcard captured the excitement of simply demonstrating that you were somewhere else.
Before 1902, only the address could be written on the flip side of a postcard which mean that any image had to compete for space with the written message. But then the law changed to allow a photograph to cover a full side with the flip side divided into two: the left for a pithy message and the right-hand side for the address. As a result, the enthusiasm for postcards quickly turned into a craze. Images of music hall entertainers, the Royal Family, cartoons and landmark buildings were printed, some in series so you’d buy them one after another. In London, shops sprang up entirely dedicated to selling postcards. They were easy to buy and cheap - a halfpenny - to send, and post was delivered multiple times a day. With telephones not common until the 1930s, this was the best way to have a conversation at a distance, and postcards were sent from home as well as arriving there. They carried brief bursts of news, the sharing of a curious sight, a request or thank-you. By 1910, more than 800 million were being sent out each year and thousands of people had become ‘postcard collectors’, arranging their increasingly colourful haul in decorative albums.
One such collector was Ethel Bailey, a young Londoner who was born in 1888. Between 1904 and 1914. Ethel amassed around 250 postcards that offer a charming view of English seaside resorts in the Edwardian era and beyond. They also show emigration to Canada, major events in San Francisco, the start of the Chinese Republic and Japan’s hidden empire. Equally fascinating are the messages on the reverse, which tell the story of her family’s life at 93 Bouverie Road in Stoke Newington, a fast-growing, free-thinking area of North London.
In 1904, the year she sends her first postcard (and then reclaims it for her collection), 16-year-old Ethel is happily sharing a home crowded with seven other family members, including adult siblings who seem in no hurry to move out. This is perhaps due largely to her mother, Maria, a 54-year-old Londoner who indulges and fusses around her children, urging them all to write the minute they ‘arrive quite safe’ at their holiday resort and slapping tea on the table as soon as they walk back through the brass-knockered front door. Father Horace, 55, a carpenter from Norfolk, is entirely absent from the postcards, so why not picture a hard-working, benevolent Victorian dozing by a toasty but toxic coal fire? Horace junior, 30, is the oldest son. He has followed his father into the carpentry trade and is possibly very similar in character, featuring in one postcard only. Next in line are the big postcard writers: chalk-and-cheese brothers Albert (Alb), 28, a fun-loving chap who works for a tea merchant, and serious-minded, inquisitive bank clerk Alfred (Alf), 24. Ethel is closest to her older sister Emily, 19, whose work is to help run the household and who seems like a younger version of her mother, which endears her to her cosseted brothers. Ethel’s only younger sibling is Edwin (Ted), 14, cheeky and energetic and on his way to a career as a clerk in the spirits trade. Missing from home is James (Jim), 26, who works as a purser on merchant ships - in the years before the merchant navy officially existed. Ethel herself is an affectionate, straightforward girl with a bunch of friends and a taste for fashionable Brighton, who works from home as a sewing machinist. She seems to have fewer household duties than her sister, and is perhaps a bit too young to be of much interest to her brothers.
The family’s late-Victorian house is one of a row of attractive, sizeable homes on broad, leafy Bouverie Road, which lies just off the main thoroughfare Stoke Newington Church Street. They were built to meet demand from newly middle-class craftsmen and office workers, the roles that Ethel’s brothers have been educated for. Other members of the family were attracted to them too. In the 1890s, Ethel’s mother’s brother Thomas Davy and his wife Eliza had lived at No 100 with their seven children. And Ethel’s grandparents, who ran a successful coffee house, had retired here. The 1891 census shows Horace and his oldest cousin Eliza Clara spending time with Grandma and Grandpa at No 46. However, life could be very precarious 130 years ago and, in 1892, Eliza Davy died aged 48, leaving Eliza Clara, 23, Ann, 21, Frances Ada, 19, Thomas G, 17, Lucy, 15, John, 13, and Henry, 11, without a mother. Several years later, their grandparents had died, their own house had new residents and their father had remarried an Essex woman. The children were scattered, some left in the care of their eldest sister Eliza Clara. It seems that warm-hearted Maria kept a concerned eye on the siblings, and five of them feature strongly in Ethel’s postcards, their narratives of uncertainty and aspiration lacing through the Baileys’ happy, solid London lives.
Ethel’s collection tapers out as World War I begins - as did the fashion for fun postcards, which suddenly seemed frivolous and gave way to cards depicting military activity and soldiers in uniform. These were much-needed lifelines between fighting men and their anxious families, but Ethel didn’t collect them. Her cards, and those sent to her sister and mother who passed them on to her, speak of happier times.
Fast forward 50 years to the early 1970s. A young woman, Pearl, moves in to Bouverie Road, a couple of doors up from No93. She befriends two elderly neighbours, Miss Price and Miss Bailey, who enjoys showing her a collection of lovely old postcards, eventually pressing her to keep them so she knows they have been safely passed on to someone who appreciates them. They have been treasured ever since, and some of the postcards are shown here with Pearl’s kind permission. There is no written information in the albums at all, but with a lot of research and a little bit of guesswork, we are building up snapshots of the Baileys’ life and times. If anybody recognises the people featured or has extra information to offer please do write to us at ATripUpMySleeve@gmail.com. We would love to hear from you.
Beside the seaside